The lady recrosses her legs and stubs out her cigarette.
“Alright, boys,” she says. “You can come in now.” The “boys” are a surly painter and a uni student, neighbours from opposite sides of her apartment. The painter lives with his wife across the hall. The kid studies history.
The room is full of half-packed boxes and she’s got g-strings artistically placed on the furniture. There’s one strung over the back of the suede couch. Another is positioned on the coffee table. The boys pretend not to see them. They stand in her doorjamb, pensive. The kid doesn’t know what to do with his hands.